Moral burden of indolence in Hammed Bello’s No Food for Lazy Man
No Food for Lazy Man draws attention to often neglected phenomena in present day daily living with each frame conveying a series of messages that visitors will find relatable as they resonate with dominant societal beliefs and real life experiences.
How not to preserve cultural heritage through digitizing films
It was an evening of expositions when the School of Media and Communication (Pan Atlantic University) in collaboration with HomeVida hosted prominent personalities within the Nigerian film industry. The forum which was part of efforts put in place to discuss and chart a new way into Digitizing the History of Film in Nigeria with the theme: “Making the link: Technology and Values in Film making”, was held at the Silverbird Galleria, Lagos.
How not to preserve cultural heritage through digitizing films
It was an evening of expositions when the School of Media and Communication (Pan Atlantic University) in collaboration with HomeVida hosted prominent personalities within the Nigerian film industry.
In season of sacrifice, Olajumoke’s dairies speaks for women
All over the world, women occupy a very important position in the family and they ought to be celebrated, but in many homes, it is not so as despite their role, they are not recognized for their efforts. Some have become so oppressed by their husbands that they give up, while others only survive with the help of God. In reaction to most of these anomalies, many have called for a change of attitude, urging men to appreciate them for their numerous efforts. It is in recognition of this that an award winning artist, Lateef Olajumoke is organising a solo exhibition that pays special recognition to women tagged Diaries of a rich man’s wife; an exhibition of paintings.
Ebi Yeibo’s The Fourth Masquerade: Allegiance to Homeland or Nation?
With five poetry collections to his credit— A Song for Tomorrow (2003), Maiden Lines (2004), The Forbidden Tongue (2007), Shadows of the Setting Sun (2012) and of course, The Fourth Masquerade (2014) which won the 2014 ANA prize for poetry, Yeibo has traversed the literary landscape with a laudable ideological commitment. As Shelly avows that the poet is “the unacknowledged legislator of the world”, Yeibo’s socialist vision measures with that of Osundare, Ojaide, Ofeimun and other globally acclaimed Nigerian poets who are engaged in social criticism of the Nigerian state.
Melodies, colours herald Mount Of Ease anniversary
With the increasing acceptance of music as a vital tool to reaching out to heterogeneous audience across the globe, with the view to imparting positively on the people, the religious appears unrelenting in its efforts to employ this medium for rendering praises to God, making a change in the society as well as during celebrations.
