Father and son moments with Fatai Tijani
Portrait art: Adesola seeks strength in black women themes
Thought Pyramid unveils NOK season six finalists
Duke of Shomolu, Ekiti govt host inaugural theatre festival
Urban Fuji: I like to do what no one is doing – Jubal
Oluwadare’s violin skills @ MUSON Easter Passiontide Concert
Ogunbiyi laments poor reading culture in Nigeria
Kabaka Opara’s contributions to Nigerian music
Why LagosPhoto festival won’t hold
CBA kids reviving reading culture
I find solace in power of notes, words, sound – Oummee
Balogun, Nurudeen show @ Q Gallery
MCAA set for her 6th miniature Art exhibition
Ugbine shows ‘Moments of the Soul’ @ O’DA Art Gallery

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Dr Onu’s book not just about financial corruption – Egwu
The former governor of Ebonyi State, Dr. Sam Egwu said last Saturday that Dr. Onu John Onwe’s new book, titled “Anatomy of Crime of Corruption in Nigeria (Constitutional Framework as the Tap-root)” is not just about corruption in terms of naira and kobo. Cheating one out of one’s right, nepotism and the structural imbalance imposed on Nigeria by Britain, are all corruption.
Dr Gracefm speaks on antimicrobial resistance @ tourism lecture
The Lagos State NYSC Batch 2015 B best serving corps member and SDGs Advocate, Dr. Gracefm Paul Nkem, also known as Ogizeh Florence, recently in a lecture organized by Tourists Club International in Lagos, expressed concerns about the transmission of bacteria infectious diseases and the effects of resistance of bacteria to antibiotics.
Generation of mad people
This essay by Assin Godstime is based on his 2020 book with same title.
Fadipe’s solutions to the problems of Nigeria maritime
This 382-pages book by Moses Fadipe is a compendium of activities in the African and Nigerian maritime industry detailing the author’s personal experience and observations spanning more than 30 years as a hands-on administrator.
Goodluck Jane captivates London with solo exhibition – ‘Stitched Between Worlds’
Each work embodied a dialogue between tradition and modernity fabric fragments stitched into painted surfaces became metaphors for diasporic narratives, cultural hybridity, and the interconnectedness

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