By Benjamin Njoku
After more than two decades in gospel music, Nigerian gospel singer and songwriter Sister Ifeoma Onuh says her journey has been guided by faith, perseverance, and divine timing.
Born Ifeoma Euphemia Onuh on August 13, 1978, the Enugu-born artist first entered the gospel music scene in 2004 with her debut album, “Drybone Shall Rise Again.” Since then, she has experienced career growth, family responsibilities, a lengthy break from music, and a successful return that continues to inspire her supporters.
In this exclusive interview feature, Sister Ifeoma reflects on her musical journey, motherhood, ministry, and the future of her career.
Looking Back at the Beginning
Speaking about how her musical journey started, Sister Ifeoma said her passion for gospel music developed from a desire to use her voice in service to God.
“My mission has always been to touch lives through music,” she explained. “From the beginning, I wanted my songs to inspire people, encourage those going through difficult situations, and remind listeners that God is always faithful.”
Her debut album, “Drybone Shall Rise Again,” was released in 2004 and introduced her ministry to a growing audience. The project’s message of restoration and hope resonated with listeners who connected with its spiritual themes.
Following the success of her debut effort, she continued recording and performing while expanding her reach within the gospel music community.
Building a Family While Building a Ministry
One of the most defining moments in Sister Ifeoma’s life came after marriage and motherhood.
Married to Mr. Donatus Onuh from Oduma in Aninri Local Government Area of Enugu State, she became a mother of four children—two boys and two girls.
While many artists struggle to balance family life and career demands, Sister Ifeoma made a decision that would temporarily change the direction of her music ministry.
“There comes a time when family responsibilities require your full attention,” she said. “I believed raising my children was a responsibility God entrusted to me, and I was determined to give them the care and attention they deserved.”
The decision led to a break from active music and public engagements that lasted more than ten years.
The Long Break That Changed Everything
Unlike many artists whose careers fade after a long absence, Sister Ifeoma never lost sight of her passion for music.
Even during her years away from the spotlight, she continued writing songs, praying, and preparing for the future.
“I never considered myself retired from music,” she explained. “I simply knew that my season at that time was focused on family. Deep inside, I always believed there would be another opportunity to continue the work God placed in my heart.”
The period became one of reflection, personal growth, and spiritual development.
According to the gospel singer, the experiences she gained during those years would later influence many of the songs she released after returning to the industry.
Returning to Music in 2020
After more than a decade away, Sister Ifeoma officially returned to music in 2020 with the release of “Scandal Mongers.”
The song addressed criticism, negativity, and the challenges people face when pursuing their goals.
“I wanted people to understand that they should never allow gossip or criticism to stop them from fulfilling their purpose,” she said.
The comeback marked the beginning of a productive new chapter in her career.
New Music and New Energy
Since her return, Sister Ifeoma has consistently released new projects.
In 2021, she released songs including “D-Muscle” featuring Vic Tilar, “The Mighty Man,” and “Obi Mgbawa (Heart Break).” These songs showcased her versatility and ability to address different life experiences through music.
Her momentum continued in 2024 with “Granny042 Nwanyi Enugu,” a song created for her comedy platform, alongside other releases including “Sunana” and “Oke Nduru.”
The following year saw the release of “Chukwu Azawom,” “I Jump and Pass,” “Ide Ji-Uno,” and “I Will Testify.”
According to the artist, each song reflects a chapter of her personal testimony and spiritual journey.
Celebrating 2026 Releases
This year, Sister Ifeoma expanded her growing catalogue with two new songs: “Sweet Mother” and “Blessings (Ngozi),” featuring Dub Smoke.
She described the projects as expressions of gratitude and appreciation.
“Every song carries a message,” she said. “I want listeners to find encouragement, hope, and inspiration whenever they hear my music.”
Industry observers note that her recent consistency has helped strengthen her position among independent gospel artists who continue to build audiences through faith-based content.
Challenges in the Music Industry
Like many independent artists, Sister Ifeoma acknowledges the challenges associated with producing, promoting, and distributing music.
However, she believes persistence and faith remain essential.
“The music industry can be difficult, but every challenge also creates an opportunity to grow,” she said. “I believe hard work, patience, and God’s guidance are necessary for anyone pursuing a career in music.”
Advice for Upcoming Gospel Artists
When asked what advice she would give aspiring musicians, Sister Ifeoma emphasized authenticity and commitment.
“Stay true to your calling,” she advised. “Do not focus only on fame. Focus on your purpose, improve your craft, and trust God’s timing.”
She also encouraged young artists to remain disciplined and patient while developing their careers.
Looking Ahead
As she looks toward the future, Sister Ifeoma says she remains committed to creating music that inspires people and glorifies God.
With a catalogue spanning more than twenty years, multiple albums, an EP, and numerous singles, she continues to build a legacy centered on faith, perseverance, and service
“My journey proves that no dream is ever too late,” she said. “When God gives you a vision, the timing may change, but the purpose remains the same.”
For Sister Ifeoma Onuh, the future remains bright, and her story continues to inspire listeners who believe in the power of faith, family, and determination.
Disclaimer
Comments expressed here do not reflect the opinions of Vanguard newspapers or any employee thereof.