By Benjamin Njoku

The African Film Festival, TAFF, in Dallas, Texas is marking its 10th anniversary with an impressive lineup of over 40 films from across Africa and the diaspora.

The festival opens from June 18 through 21, at the Royal Palace, Pan African Connection, and Dallas Hall of the prestigious Southern Methodist University, with both in-person and virtual screening options available to audiences worldwide through Rootflix app.

Founded by Kelechi Eke, TAFF has established itself as a prestigious platform for African cinema, creating a bridge between continental African filmmaking and global audiences.

“When we started this journey ten years ago, we had a vision to create a space where authentically told African stories could be showcased and celebrated beyond the continent,” said Eke in a recent statement. “Today, seeing filmmakers from across Africa and the diaspora bringing their powerful narratives to our festival validates that vision.”

This year’s submissions reflect the rich diversity and evolving landscape of African cinema. Among the notable entries is “Masaka to Toronto” by Walta Gabriel Busulwa, a compelling documentary that traces the journey of Matooke, East African staple food, from the markets of Masaka to the vibrant streets of Toronto. The film explores not just a culinary tradition, but the nuanced challenges of cultural preservation in diaspora communities. Another standout submission, “I Am Igbo” by Mo Jannah, follows British-Igbo woman Elemchi Nwosu on her journey to uncover her family’s history in the shadow of the Biafran War. The documentary offers an intimate look at the global Igbo diaspora, showcasing how traditions endure across continents while new generations navigate their cultural identity in modern contexts.

From Uganda comes “Half Life” by Mulindwa Richard, a dramatic narrative following Moses, a struggling man who returns to his village after personal tragedy and begins working in the mines with his father. The film explores themes of desperation, hope, and transformation when Moses discovers gold after his father’s passing.

Beyond screenings, TAFF incorporates masterclasses, networking events, and panel discussions addressing the challenges and opportunities in contemporary African filmmaking. This year’s festival takes place against the backdrop of growing recognition for African cinema internationally. As the festival opens, attendees can expect a vibrant celebration of African storytelling that transcends borders and challenges preconceptions. From powerful documentaries exploring identity to gripping dramas highlighting universal human experiences, the festival’s lineup demonstrates the extraordinary breadth and depth of contemporary African cinema.

Topics at this year’s festival include financing challenges, distribution strategies in the streaming era, and preserving authentic African narratives while appealing to global audiences. “What makes TAFF special is its commitment to the complete ecosystem of African filmmaking,” explains festival programmer Aisha Dambatta. “We celebrate the films themselves but also create opportunities for filmmakers to connect with distributors, financiers, and each other. Many collaborations that began at TAFF have resulted in amazing new projects.”

“The tenth anniversary isn’t just about looking back at what we’ve accomplished,” says founder Eke. “It’s about looking forward to the next decade of African storytelling and continuing to build bridges between these incredible filmmakers and the wider world.” He disclosed that this year’s African Film Legend Award will go to Sir Olu Jacobs (Nigeria) for his outstanding work as a thespian and his numerous contributions towards the growth of African Cinema. Other great artists that have been honored by TAFF with the same award in the past include Patience Ozokwo (Nigeria), Samson Vugar (Cameroon), Pete Edochie (Nigeria), Opal Lee (USA), Koffi

Olomide (Congo), Benjamin Onyango (Kenya), Richard Mofe Damijo (Nigeria), Kofi