By Emmanuel Okogba

Nigerian saxophonist Dayo Sax, born Samuel Oladayo Ogundapo, has emerged in cultural and community arts circles for his work linking music with public engagement and cross-cultural initiatives.

Oladayo is the founder of the STAMP (Success Through Abundant Music and Praise) initiative and a co-founder of the Creative Health Art and Culture Community Interest Company (CIC), which operates between Nigeria and the United Kingdom. The organisation focuses on cultural exchange and programmes that incorporate music into broader wellbeing and social initiatives.

His academic background spans engineering and project management. He studied Electrical and Electronics Engineering at Ladoke Akintola University of Technology, later earning postgraduate qualifications in Information Technology from the University of Lagos and Project Management from the University of Bradford. This multidisciplinary training has influenced how his creative and community projects are structured and delivered.

Ogundapo also trained through the Musical Society of Nigeria (MUSON), where he developed as a saxophonist. He has cited musicians Imoleayo Balogun and Olumide Alabi, known as Olujazz, among his early influences, particularly in blending formal technique with contemporary African jazz styles.

He was inspired by Anu Asaoye, Imoleayo Balogun and Kenny G

Since 2012, He has performed at a range of religious and cultural events, including appearances alongside gospel artists such as Bukola Bekes and Bidemi Olaoba. In the United Kingdom, his collaborations include performances with Adedoyin Oseni at events such as Atupa, a cultural showcase organised with support from CAST and Doncaster Council, as well as appearances at the Bradford Festival of Art.

His recent international appearances include participation in multicultural events such as the Chinese Lunar Festival and the Tayese Festival of Art, where African instrumental music featured within broader cultural programming.

In addition to live performances, Ogundapo has released recorded work, including singles such as “Epo Nbe” and “OLUWA Ku ise,” along with “Praise Medley (2023).” His ongoing work with the Creative Health Art and Culture CIC centres on using music as a tool for cultural engagement and community-focused initiatives.

His activities reflect a broader trend of musicians working across disciplines, combining artistic practice with structured programme delivery in both local and international contexts.