By Benjamin Njoku
Ifeoluwa Adegbola, professionally known as DJ Thinwolf, is gradually carving a name for himself in the United Kingdom, where he is based.

With a sold-out headline show already under his belt and growing demand for future events, the young talent is building momentum as both a performer and cultural connector. Having already worked with leading stars like Djames, Bella Shmurda, Odumodublack, and Shoday, the gifted disk jockey shares his vision for African music culture in the UK and beyond.

How did your journey into disc jockeying begin, and what drew you into the entertainment industry?
I’ve always had a deep connection with music. Growing up in Nigeria, rhythm and Afro-centric sound were part of everyday life. I started DJing during family and local gatherings, and over time it became clear that music wasn’t just a hobby; it was my calling.

Eventually that passion evolved into professional practice, and I have been super motivated since I moved to the UK, where I saw an opportunity to bring my energy and cultural taste to new audiences.

What would you say has been the biggest milestone in your career so far?

The most defining moment must be my first personal headline show in the UK, and it sold out.
Seeing the venue filled, feeling the energy, and then being approached by people asking when the next episode will happen was a huge affirmation. Having people come from far and near cities just to attend my party showed that what I’m creating resonates with the audience, and that momentum gives me confidence to push further into full-time artistry.

Many DJs focus solely on performance. What makes your approach different?

I see myself as more than just a DJ. Yes, the performance is important, but I also believe in building infrastructure. That’s why I’m investing in professional live sound and lighting equipment to enable the production of small-to-medium-scale gigs on my terms.

For larger shows, I partner with an established UK sound business to ensure quality. This approach allows me to grow sustainably while enhancing audience experience.

What has your experience been like breaking into the UK scene?

It’s been challenging but equally rewarding. The UK nightlife space is competitive and fast-moving, especially with Afrobeats and Amapiano now enjoying global attention.

I started by networking at local events, collaborating with promoters, and simply showing up consistently. Over time, that consistency started to pay off with performance slots, bookings, and audience traction.

How would you describe the acceptance of Afrobeat and related sounds in the UK?

The reception has been incredible. What used to be niche in certain spaces is now mainstream.
You hear Afrobeat in clubs, on the radio, at cultural events, and mixed into popular playlists. The vibe, energy, and story of the music resonate with diverse crowds. It’s more than music here; I would say it has become part of culture itself.

You’re transitioning into full-time disc jockeying; what motivated that decision?

At a certain point, I realised that if I really wanted to elevate this brand and make a lasting impact, I needed to commit fully. The industry is ready, the audience is responding, and the timing is right.
I believe this is the moment to capture the UK and position my sound not just regionally, but nationally. It’s not just about the performance for me; it’s the experience and sweet memories I leave in the mind of the audience.

What’s next for you in the coming year?

There’s a lot in the pipeline. I’m developing a series of follow-up headline shows in multiple cities, releasing mix projects, and expanding collaborations with fellow artists and event partners. I’m focused on growth not just for myself but for the broader Afrobeat movement here in the UK. I’ll also be sharing my knowledge and training people who are interested in becoming disk jockeys.

What advice do you have for aspiring DJs and creatives?

Stay consistent. Build real relationships. Invest in your craft, not just your image. Opportunities don’t always come overnight, but with discipline and passion, you eventually put yourself in the room where they happen. I always say when you do it for the passion, the profit always comes.

How would you like to be remembered?

I want to be seen as someone who built bridges, opened doors, and created platforms not only for myself but for others in the African sound community. My mission isn’t just to perform, but to amplify our sound, our culture, and our energy across the UK and beyond.

If you weren’t an entertainer, what would you have been?

To be honest, I think I was born for music. Right from my early years, I have always been interested in curating music, either by setting up plastics as a drum set or having a lyrical note while thinking I’d become a rapper, but I’m glad I found my purpose as a disk jockey earlier, and it has been the best thing that has happened to me. But if I’m not a disk jockey, I think I’d most likely be a footballer.