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January 3, 2026

Aridunnu releases “We dance, we praise Vol. 2,” deepening his afro-Christian worship sound

Aridunnu releases “We dance, we praise Vol. 2,” deepening his afro-Christian worship sound

By Ayo Onikoyi

UK-based Nigerian worship leader and live performance artist Aladesanmi Aridunnu Onisile, professionally known as Aridunnu, has released a new worship project titled We Dance, We Praise Vol. 2, continuing his growing body of Afro-Christian worship expressions rooted in live praise and congregational participation.

The project builds on the foundation laid by the first volume, expanding Aridunnu’s signature approach to worship through a vibrant collection of live praise medleys, spontaneous worship moments, and African-inspired rhythms. Designed as an immersive worship experience, We Dance, We Praise Vol. 2 invites listeners not just to listen, but to actively engage through movement, celebration, and heartfelt praise.

True to his performance-driven style, Aridunnu prioritises live vocal delivery, extended medleys, and atmosphere-led worship over studio-heavy production. The project reflects the energy of live praise gatherings, church celebrations, and cultural worship settings, capturing the communal spirit that defines African Christian praise.

Speaking through the language of music rather than polished studio perfection, We Dance, We Praise Vol. 2 emphasises worship as a shared spiritual experience. Each track flows seamlessly into the next, reinforcing Aridunnu’s belief that worship thrives in moments of spontaneity, collective expression, and cultural authenticity.

The release further solidifies Aridunnu’s position within the Afro-Christian worship space, where his work bridges African praise traditions with contemporary Christian worship forms accessible to a global audience. The project serves as a fitting soundtrack for praise nights, personal devotion, and joyful congregational worship.

With We Dance, We Praise Vol. 2, Aridunnu continues to demonstrate a clear artistic vision — one that views worship as both ministry and music, and live performance as a powerful vehicle for spiritual connection, cultural identity, and communal praise.

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